Machines magnify, augment, accelerate,
complexify. Machines are not simply interfaces of human interaction or
facilitators of preexisting communicational flows. Apart from making
communication possible, they enable flows, desires, investments. Machines
automate production. From industrial capitalism to informational capitalism the
overwhelming proliferation of machines facilitated economic development and
provided the lifeblood of a system that depends on magnification, augmentation,
acceleration and complexification. More so, if one thinks of the machine as the
objectification of general social knowledge as Marx did, then the machine in
its pre-actualized form exists as a social possibility, as a machine-to-be. One
can speak then of a social machine which is a desiring machine, a potential
machinic figuration of the thing-to-be. The social machine is a machine of
values and meaning.
The metaphor of the machine as an apparatus of production that modifies and
augments perceived reality is used in order to refer to a particular type
of a social machine of meaning, the ‘contemporary art machine’. Within social
machines objects
and subjects make themselves visible, designate through their physicality and
communicability trajectories to potential directions.
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